Amore E Rabbia (1969) May 2026

Though originally titled Evangelio '70 , the directors used biblical themes primarily to critique the Catholic Church's role in modern society.

Directed by Pier Paolo Pasolini , this is perhaps the most famous segment. It follows a young man (Ninetto Davoli) walking through Rome with a giant red flower, blissfully unaware of the world's suffering and historical atrocities shown in superimposed newsreel footage. Amore e rabbia (1969)

It stands as a rare time-capsule where the "Big Three" of Italian cinema (Pasolini, Bertolucci, Bellocchio) worked alongside the leader of the French New Wave (Godard). Though originally titled Evangelio '70 , the directors

The film was entered into the 19th Berlin International Film Festival. It stands as a rare time-capsule where the

Directed by Jean-Luc Godard , this segment explores the impossibility of communication and love in a world dictated by ideology and political conflict, featuring two lovers on a rooftop.