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Ìåæäóíàðîäíûé Ïðîåêò ïî îáúåäèíåíèþ è ñòàíäàðòèçàöèè êàòàëîãîâ ñáîðî÷íûõ åäèíèö è äåòàëåé, ñîçäàâàåìûõ àâòîçàâîäàìè è êðóïíûìè ïðåäïðèÿòèÿìè-ïðîèçâîäèòåëÿìè òåõíèêè

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Íà ãëàâíóþart tatumÊàðòà ñàéòàart tatumart tatumEnglish RSS Íàøà ãðóïïà â Êîíòàêòå
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ÀâòîÑîôò - ïðîãðàììû äëÿ àâòîñåðâèñà
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Art Tatum <Quick ✓>

Art Tatum was a musician so revolutionary that he didn't just play jazz; he redefined what the piano could do as an instrument. Born nearly blind in Toledo, Ohio, in 1909, he developed a style that was so complex it sounded like two or three pianists playing at once. He remains the gold standard for technical virtuosity, blending the heavy "stride" of Fats Waller with the harmonic complexity of classical masters. The "God" of the Keyboard

OT : Art Tatum (1909-1956) - The World's Greatest Jazz Pianist art tatum

Tatum's influence on other musicians was almost religious. When he walked into a club where Fats Waller was performing, Waller famously stepped aside and announced, "I play piano, but God is in the house tonight". Modern jazz legends like Oscar Peterson referred to him as a "musical god" whose playing forced everyone else to reassess their own talent. Art Tatum was a musician so revolutionary that

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Íîâîñòè AutoSoft

 
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Ïîäïèñàòüñÿ íà íîâîñòè îáíîâëåíèé ïî ïðîãðàììíûì ïðîäóêòàì Êîìïàíèè ÀâòîÑîôò:

 
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Îòçûâû î ïðîãðàììàõ ÀâòîÑîôòÎòçûâû î ïðîãðàììàõ ÀâòîÑîôò

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Âñÿ èíôîðìàöèÿ, ïðåäñòàâëåííàÿ íà ñàéòå, íîñèò ñïðàâî÷íî-îçíàêîìèòåëüíûé õàðàêòåð è íå ÿâëÿåòñÿ ïóáëè÷íîé îôåðòîé.

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