A Decade in Three Minutes: Reliving the 2010s with DJ Earworm
Billie Eilish ("bad guy"), Ariana Grande ("thank u, next"), and Lizzo ("Good as Hell").
Gotye ("Somebody That I Used to Know"), Psy ("Gangnam Style"), and Lil Nas X ("Old Town Road").
The mashup is a "funhouse mirror" of our collective listening habits. It seamlessly layers chart-toppers from a massive range of styles—from the EDM-heavy party anthems of the early 2010s to the more melodic, introspective pop that took over toward the end of the decade. Key Artists and Tracks Featured
Adele ("Rolling in the Deep"), Bruno Mars ("Uptown Funk," "Locked Out of Heaven"), and Rihanna ("We Found Love").
What makes DJ Earworm's work stand out is his . He doesn't just play songs back-to-back; he blends them into new, meaningful sentences. In an interview with TIME , he noted that a recurring theme in the decade's later hits was a sense of "leaving"—whether it was leaving a town, a party, or a relationship—reflecting a restless cultural mood.
Decade Of Pop Вђў 100 Song — Mashup | Dj Earworm (aka "celebrate The Good Times" )
A Decade in Three Minutes: Reliving the 2010s with DJ Earworm
Billie Eilish ("bad guy"), Ariana Grande ("thank u, next"), and Lizzo ("Good as Hell"). A Decade in Three Minutes: Reliving the 2010s
Gotye ("Somebody That I Used to Know"), Psy ("Gangnam Style"), and Lil Nas X ("Old Town Road"). It seamlessly layers chart-toppers from a massive range
The mashup is a "funhouse mirror" of our collective listening habits. It seamlessly layers chart-toppers from a massive range of styles—from the EDM-heavy party anthems of the early 2010s to the more melodic, introspective pop that took over toward the end of the decade. Key Artists and Tracks Featured He doesn't just play songs back-to-back; he blends
Adele ("Rolling in the Deep"), Bruno Mars ("Uptown Funk," "Locked Out of Heaven"), and Rihanna ("We Found Love").
What makes DJ Earworm's work stand out is his . He doesn't just play songs back-to-back; he blends them into new, meaningful sentences. In an interview with TIME , he noted that a recurring theme in the decade's later hits was a sense of "leaving"—whether it was leaving a town, a party, or a relationship—reflecting a restless cultural mood.
