Glenn Gould - Bach, Concerto No. 7 In G Minor O... | Premium |

: The Piano Files with Mark Ainley offers an expert's take on the 1967 Golschmann recording, specifically defending Gould's choice of piano over harpsichord for this work.

: Gould recorded this piece on May 4, 1967 , with conductor Vladimir Golschmann and the Columbia Symphony Orchestra. Music critics often describe this specific G minor rendition as "robust" and "strongly etched," contrasting with the more delicate movements of Bach's other concertos. Interpretation Highlights : Glenn Gould - Bach, Concerto No. 7 in G minor O...

: For a look at why Gould's Bach is still controversial yet beloved, Interlude’s Eccentric Brilliance analyzes his narrative approach and unconventional phrasing. : The Piano Files with Mark Ainley offers

Below are helpful resources and insights regarding this specific work and Gould's performance: Analysis and Performance Context Interpretation Highlights : : For a look at

: His technique involved "finger tapping"—training the fingers to act as independent levers—which allowed him to play with extreme speed while maintaining perfect separation between notes.

: This concerto is Bach's own keyboard adaptation of his earlier Violin Concerto in A minor, BWV 1041 . Gould's recording makes a strong case for playing such transcriptions on the modern piano, as he believed the instrument's capacity for fluid phrasing better suited Bach's intricate polyphony than the harpsichord.

: Gould was known for adding his own ornamentations and "left-hand fillips," sometimes even incorporating first violin parts into his piano line to fill out the texture.