"Yesterday, a mutual friend called me," the man said, his gaze dropping back to the table. "He told me she’s been struggling. That she smiles, but her eyes are empty. He said, 'She’s like a bird with a broken wing.' And then today, I walk in here, and this song plays. 'I heard that without me, you are like the wounded.' It feels like the universe is shouting at me."

As the chorus swelled—"Duydum ki bensiz yaralı gibisin"—the man visibly tensed. He closed his eyes, and Leyla saw a muscle in his jaw tighten, as if he were fighting back a wave of emotion. Leyla grabbed a fresh pot of hot tea and walked over.

Leyla listened quietly, the singer's voice still painting the background of their conversation.

He paused, then continued, almost as if he needed to confess to a stranger. "I left Istanbul three years ago. I left someone I loved deeply because I thought I had to find my own way, to build a future. I told myself she would be fine without me."

Leyla smiled gently, placing a hand on the edge of the table. "Sometimes we need the music to tell us what our pride won't let us admit. To be 'yaralı'—wounded—means there is still something to heal. Silence doesn't mean the wound has closed; it often just means it's hidden."

The old radio in the corner of the small Baku cafe sputtered to life, filling the room with the haunting, melancholic voice of Çınare Melikzade singing "Duydum Ki Bensiz Yaralı Gibisin."