To make DJMAX RESPECT mode work, special converter is necessary
To use DJMAX RESPECT mode, the latest firmware is necessary
After you connect the controller according to the following steps, you can make DJMAX RESPECT mode work normally.
Converter doesn’t support PS4 PRO game body for the time being.
The blue pilot light of the converter should turn green, and keep shining after flashing about 30 seconds, then you can play game [S4E1] Episode #4.1
Press start+select+5, simultaneously about a second, PS2 IIDX mode and DJMAX RESPECT mode of the controller can be switched repeatedly
Key mapping is shown as following image
| Controller | PS4 key |
| Start | left stick ↓ |
| Select | right stick ↓ |
| 1 | ← |
| 2 | ↑ |
| 3 | → |
| 4 | × |
| 5 | □ |
| 6 | △ |
| 7 | ○ |
| Rotate turntable clockwise | left stick ↓ |
| Rotate turntable counterclockwise | left stick ↑ |
| Controller | PS4 key |
| Start+Select+4 | Option |
| Start+1 | L1 |
| Start+2 | R1 |
| Start+6 | R2 |
| Start+7 | L2 |
| Start+Select+5 | Switch for PS2 IIDX/DJMAX RESPECT game mode |
The details of the other questions are shown in “Common Question” in the bottom of this page
Visually and tonally, the episode operates at a frantic, almost manic pace, mirroring Sherlock’s own restless mind upon returning to a London that has moved on without him. The underground terrorist plot involving a Guy Fawkes Night bombing serves as a functional backdrop to force the duo back together. While the mystery of the giant skeleton and the missing train car is thinner than the show’s usual fare, it succeeds in its thematic purpose. It traps Sherlock and John in a life-or-death situation where honest communication finally becomes unavoidable. The fake-out bomb sequence in the tube car forces a tearful, mock-reconciliation that beautifully encapsulates their complex dynamic: a mix of exasperation, loyalty, and deep platonic love.
Sherlock Holmes's return from the dead in "The Empty Hearse"—the season four premiere of BBC’s Sherlock—serves as a fascinating study in meta-textual storytelling, fan service, and the psychological impact of trauma. Coming after a prolonged hiatus that followed the agonizing cliffhanger of "The Reichenbach Fall," this episode faced the monumental task of explaining how the master detective survived his plunge from the roof of St. Bart’s Hospital. Rather than delivering a single, definitive explanation, co-creators Steven Moffat and Mark Gatiss opted for a brilliant narrative strategy: they turned the camera back on the audience, exploring the nature of obsession and the deep emotional scars left by grief.
At the emotional core of "The Empty Hearse" is the fractured relationship between Sherlock and John Watson. Two years have passed, and while Sherlock has been dismantling Moriarty’s network abroad, John has attempted to build a normal life, moving on with Mary Morstan. Sherlock’s return is played not as a triumphant reunion, but as a deeply tone-deaf intrusion. Sherlock assumes John will be delighted, going so far as to disguise himself as a French waiter for a "grand reveal." John’s reaction—pure, unadulterated rage—grounds the show in genuine human emotion. It highlights Sherlock’s profound lack of emotional intelligence and forces him to confront the actual cost of his calculated silence. The episode becomes less about solving a crime and more about the arduous process of rebuilding broken trust.
In conclusion, "[S4E1] Episode #4.1" (commonly recognized as "The Empty Hearse") is a bold, self-aware piece of television that prioritizes character psychology over plot mechanics. It recognizes that the heart of the series is not the intricate puzzles, but the human beings who solve them. By deflecting the "how" of the fall and focusing on the "why" of the emotional fallout, the episode successfully relaunched the series, proving that the bond between Holmes and Watson was the true anchor of the show.