Juliusz Machulski — Seksmisja (1983) Reеј.
The protagonists are treated as "natural specimens" and "historical curiosities." The ruling body, led by the , views them as a threat to their peaceful, man-free order.
Maks and Albert wake up in the year , discovered by a group of female archaeologists. They soon learn the shocking truth: Seksmisja (1983) reЕј. Juliusz Machulski
They flee to the surface, expecting to die from radiation. Instead, they discover a shocking secret: The protagonists are treated as "natural specimens" and
The film concludes with Maks and Albert deciding to stay on the surface. They realize the future of humanity depends on them. The final scene—one of the most famous in Polish cinema—shows them successfully "re-introducing" masculinity to the world in a way that suggests the cycle of life (and the battle of the sexes) will begin anew. Instead, they discover a shocking secret: The film
, a more radical security official, wants them "liquidated" (forcibly naturalized through a "sex-change" operation).
: Scientists have developed a method of reproduction that only produces female offspring. Conflict: Relics of the Past
: The surface is perfectly habitable; the "radiation" and "devastation" were myths created by the leadership to keep the population controlled and underground.
