Siccin(2014) -

: This paper discusses how films like Siccin use "djinns" as a horror spectacle to reveal toxic family dynamics, jealousy, and the consequences of "illicit accumulation of capital" within kinship structures. It argues that the proliferation of these films reflects a broader shift toward post-secular, conservative Islamic governance in Turkey.

: This thesis analyzes post-2000 Turkish horror, identifying a conflict between modernity and tradition. It frames the Islamic motifs in Siccin as symbolic tools used to navigate the "ideological crisis" of modern Turkish identity. Siccin(2014)

: This research examines how the movie incorporates specific religious texts to enhance its horror elements and ground the supernatural events in Islamic theology. : This paper discusses how films like Siccin