The Black Phone (released in Turkey as Siyah Telefon ) is a 2021 supernatural horror film directed by Scott Derrickson and based on Joe Hill’s 2004 short story. It stands out as a "coming-of-age" horror that balances gritty 1970s realism with paranormal elements. Plot & Atmosphere
: As The Grabber, Hawke delivers a terrifying performance despite being masked for most of the film. His presence is unpredictable, oscillating between a sinister calm and sudden outbursts of violence.
Critics generally praised the film for its tight pacing and emotional stakes. You can find detailed reviews and community discussions on platforms like:
: Features user reviews that often discuss the film's 70s aesthetic and its loyalty to Joe Hill's original story.
is widely considered one of the better Blumhouse productions of recent years, successfully avoiding many of the "slasher" clichés to deliver a more thoughtful horror experience.
: Mason Thames (Finney) and Madeleine McGraw (his sister, Gwen) provide the emotional core. Gwen’s "psychic" dreams add a secondary layer of supernatural tension as she desperately tries to locate her brother.
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Keep track of movies and shows you love! You might want to rewatch or share it with people you care about later. is widely considered one of the better Blumhouse
The Black Phone (released in Turkey as Siyah Telefon ) is a 2021 supernatural horror film directed by Scott Derrickson and based on Joe Hill’s 2004 short story. It stands out as a "coming-of-age" horror that balances gritty 1970s realism with paranormal elements. Plot & Atmosphere
: As The Grabber, Hawke delivers a terrifying performance despite being masked for most of the film. His presence is unpredictable, oscillating between a sinister calm and sudden outbursts of violence.
Critics generally praised the film for its tight pacing and emotional stakes. You can find detailed reviews and community discussions on platforms like:
: Features user reviews that often discuss the film's 70s aesthetic and its loyalty to Joe Hill's original story.
is widely considered one of the better Blumhouse productions of recent years, successfully avoiding many of the "slasher" clichés to deliver a more thoughtful horror experience.
: Mason Thames (Finney) and Madeleine McGraw (his sister, Gwen) provide the emotional core. Gwen’s "psychic" dreams add a secondary layer of supernatural tension as she desperately tries to locate her brother.
