The book explores how the early gourd banjos (or "Strum Strumps") were deeply tied to Afro-diasporic spirituality, sacred ceremonies, and community healing rather than just secular entertainment .

Kristina R. Gaddy traces the instrument back to the 17th and 18th centuries . She reveals that the banjo was not invented by white musicians in the American South, but by enslaved people of African descent in the Caribbean and North America .

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